23III TSA50 Th.Sitschkoff Laps rätt põllulill 1917 Richard
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Fedot Vasilevich Sychkov (Russian: Федот Васильевич Сычков), March 13, 1870, Kochelaevo, Russian Empire – August 3, 1958, Saransk) was a Russian painter.
Fedot Vasilyevich Sychkov was born in Penza Governorate, in the village Kochelaevo of Narovchatsky Uyezd, now Kovylkinsky District of Mordovia in 1870. His family was poor, he lost his parents being child. Fedot Sychkov began his education in the three-class school. A few years after its completion and cooperative learning in the icon workshop Sychkov began working as an artist, he painted icons and portraits of peasants. One of the famous works of this period is the picture "Founding of Arapovo Station" (1892), made for Ivan Arapov, general from St. Petersburg who lived on his estate near Kochelaevo. With his help, young artist Sychkov was sent to St. Petersburg to continue his artistic education in 1892.
In the Drawing School of St. Petersburg he continued to improve his skills and create paintings. One of the best paintings of the period is "Portrait of the Artist's Younger Sister, Yekaterina Sychkova" (1893). Also Sychkov painted custom portraits.
In 1895 he began studying at the Higher School of Arts at the Imperial Academy of Arts. In the years of study Sychkov painted several self-portraits.
Like many young other of that time, he wanted to study in Ilya Repin’s workshop, who he was Familiar to.
Despite the fact that during these years course of Imperial Academy of Arts Sychkov studied the battle-painting after graduation he found his vocation as a portrait and genre painter.
After completing his studies in St. Petersburg Sychkov returned to his homeland. The main topics of his works concerned folk festivals, weddings and other celebrations. He also was very interested in painting everyday village life. For example "On The Hills" (1910), "Skating Carnival" (1914).
Fedot Sychkov is best known for his compositions containing only one or two figures. Despite the similarity of type of depicted people paintings look in different ways. Basically, there is a pure portrait, where the model is shown in a neutral background. But it gets more developed with time. Centre to all the paintings is a human coexistence with the natural world. In his portraits, landscape always combines with emotional state of characters or contrasts with it. There are not so many compositional innovations in arts of Sychkov. There are some plots going through all the work of the master, for example – “near the fence”, “driving down the hills”. However, it cannot be reproached for the monotony and the cliche. Sychkov did never aim to the painting of people with complex, contradictory character.
The phenomenon of Sychkov as a painter is a loyalty to one theme – the theme life of a Russian village, passed through the prism of his artistic vision of peasant life and traditions. Contemporary to Fedot Sychkov peasants abandoned the traditional clothing in everyday life, but he portrayed his models in the traditional Russian sundresses, bright scarves, beads.
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